Because his father, Alexander Stirling Calder, received public commissions, the family traversed the country throughout Calder's childhood.
For the serious to be truly serious, there must be the serial, which is made up of elements, of results, of configurations, of homologies, of repetitions.
What is serious for Lacan is the logic of the signifier, that is to say the opposite of a philosophy, inasmuch as every philosophy rests on the appropriateness, transparency, agreement, harmony of Laugier essay on architecture with itself. The unconscious means that thought is caused by the non-thought that one cannot recapture in the present, except by capturing it in its consequences.
This is how Georges Dandin recaptures the consequence of stopped time when he stops to say: You wanted it, Georges Dandin.
He makes time stop to recapture in the consequence what was caused by the non-thought. Fichte was the first philosopher to focus on the uncanny contingency in the very heart of subjectivity: It is important to bear in mind the two primary meanings of Anstoss in German: Anstoss is not simply the obstacle the absolute I posits to itself in order to stimulate its activity so that, by overcoming the self-posited obstacle, it asserts its creative power, like the games the proverbial perverted ascetic saint plays with himself by Laugier essay on architecture ever new temptations and then, in successfully resisting them, confirming his strength.
Fichte himself defines Anstoss as the non-assimilable foreign body that causes the subject division into the empty absolute subject and the finite determinate subject, limited by the non-I. Fichte would effectively be a solipsist another commonplace reproach against his philosophy.
I saw myself as taking an author from behind and giving him a child that would be his own offspring, yet monstrous. It was really important for it to be his own child, because the author had to actually say all I had him saying.
But the child was bound to be monstrous too, because it resulted from all sorts of shifting, slipping, dislocations, and hidden emissions that I really enjoyed.
Jacques-Alain Miller once characterized this reading with the same words as Deleuze: This Deleuzian procedure has an unexpected theological precedent — not the Christian immaculate conception, to which he himself refers, but the Jewish legend about the birth of the Messiah, reported by Joseph in a monoscript from the 13th century.
God wants to give birth to the Messiah, but knows that all of the forces of evil are waiting in front of the vagina of Shekina to kill the Messiah the minute he is born. So God goes at night to his mistress, Lilith, the symbol of evil, and penetrates her anally the expression used can also mean that he pees into her vagina.
The Messiah will come from Lilith after anal sex: How is its content neutralized? Giorgio Agamben tried to indicate this process with the notion of profanation: To profanate a mass is to perform a black mass, not to study the mass as object of the psychology of religion.
As such, profanation — not secularization — is the true materialist undermining of the Sacred: Protestantism realizes this split between the Sacred and the secular at its most radical: Mutatis mutandis, the same goes for the Stalinist Communism — it is secularized, not profaned religion.
Here one should perhaps supplement Agamben: Say, apropos of poetry: There is thus a zero-level at which profanation cannot be distinguished from sacralization.
A thing which appears is experienced as sacred when viewed from behind, from a proper distance, is effectively a profane excess… To paraphrase Rilke, Sacred is the last veil that conceals the horror of the Profane.
So what would the profanation of Christianity be? What if Christ himself — the embodiment of God in a ridiculous mortal, the comical aspect of it — already IS the profanation of divinity?
Differentiality, in order to remain pure i. This is why, as Laclau put it, external difference is always also internal difference: Its structure was deployed by Lacan apropos sexual difference which, as a difference, precedes the two terms between which it is the difference: And the same goes for the political difference class struggle: Both perceive the village as a circle; but for one sub-group, there is within this circle another circle of central houses, so that we have two concentric circles, while for the other sub-group, the circle is split into two by a clear dividing line.
The two perceptions of the ground-plan are simply two mutually exclusive endeavors to cope with this traumatic antagonism, to heal its wound via the imposition of a balanced symbolic structure. Is it necessary to add that things stand exactly the same with respect to sexual difference:Vitruvius was a First century BC architect who wrote the oldest extant book [Decem Libris]on architecture.
These 10 Books have been interpreted and studied on a nearly daily basis since [see for example, VITRUVIUS WRITING THE BODY OF ARCHITECTURE, MIT by Indra McEwin].
“High in the Pyrenees Mountains,” we read, “deep in abandoned mines, scientists discovered peculiar black shells that seem to crop up of their own accord on metal surfaces.”. An Essay on Architecture was published anonymously in by the Abbé Marc-Antoine Laugier, who soon after quit the Jesuitical order, enabling his name to appear on the next edition.
It's the most amazing book. In Chapter 1, "General Principles of Architecture," Article 1, "The Column," he describes the foundational feature of the .
Architectural reading. Very good if you have an interest in architectural form and a key figure, Laugier, in western history and his essays on architecture/5. This translation uses the text of the original edition. It also includes additions made by Laugier for the edition of as well as the Avertissement for that edition, which contains Laugier's rebuttal to his critics.
An introduction by Wolfgang Herrmann gives details of Laugier's life and the context in which this book was written. The Essai is . BIOGRAPHY. Alexander Calder was born in , the second child of artist parents—his father was a sculptor and his mother a painter. Because his father, Alexander Stirling Calder, received public commissions, the family traversed the country throughout Calder's childhood.